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After much pre-production work, however, the project went into developmental limbo, and Jonze continued to work on videos and advertisements while he searched for the perfect debut material.It arrived in 1997 in the form of Being John Malkovich, Charlie Kaufman's dark, surreal comedy about the havoc wreaked when a disaffected puppeteer discovers a portal into the mind of the titular actor.Kikuchi is at the festival along with co-stars Kenichi Matsuyama (25) and Kiko Mizuhara (19) for the screening of their movie “Norwegian Wood.” After the screening on Thursday night, Kikuchi and Jonze were seen walking together while holding hands.During an event the next night, Kikuchi was seated at a table with Mizuhara and others, but she openly exchanged looks with Jonze and was even seen kissing him."This is all I’ve been doing for the last year," he said, before suggesting that his work at Viceland is "just a different type of film for me." told the room that both the episode orders and lengths of Viceland's series, all of them unscripted and none of them currently fronted by Smith, will vary depending on the creative needs of the shows.Some will be four, others eight, he explained, adding that a half-hour show could easily expand to an hour if the filmmaker has more story to share.Things aren’t always as they appear, as the afterparty for Alma Har’el’s new documentary “Love True” proved on Friday night, morphing into an intimate concert shortly after midnight.
Malkovich wasn't the only film for which Jonze was receiving praise in the fall of 1999.As for the common thread between Viceland's shows and its storytellers, the company’s longtime creative director Spike Jonze suggested that he and Vice boss Shane Smith found themselves attracted to people "with a point of view." And the push into 24-hour linear TV allows them the kinds of budgets to tell these stories that they wouldn't have had online.The opportunity to launch Viceland — a project that’s more than a year in the making — was so compelling that Jonze put his Oscar-winning film career on hold.Even within the confines of a three-minute spot, Jonze would find ways to subtly reference pop culture: his "Sabotage" video for the Beastie Boys aped the look and feel of 1970s cop shows; in the Breeders' "Cannonball," he gave a nod to the 1956 children's classic The Red Balloon; and Jonze transformed Björk's "It's Oh So Quiet" into an elaborate musical fantasy number inspired by Jacques Demy's The Umbrellas of Cherbourg.It didn't take long for the movie industry to take notice, and in 1995, Jonze was offered the chance to direct the film adaptation of Harold and the Purple Crayon, with a script by The Player scribe Michael Tolkin.
He opted out of college to take a position at one of his favorite magazines, Freestyle, and before long, he was creating his own monthly, Dirt.